- - - Mnemotecnia, folio #1: netart, su historia y marcos teóricos - - -

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pre-98

10 Answers

1967

1 Answer

Q: How was your first experience using a computer?

A: How can I forget? I was in HAL's home, from 2001 Space Odyssey, the University of Illinois in 1967. I sat at a Magnavox orange glowing monitor covered by a mylar screen connected to the main frame that was housed in the next ROOM--and took a test on the PLATO Learning Module..Programmed Learning and Teaching O....something. www.platopeop... — artsgreenhouse [add comment]

1989

1 Answer

Q: Are cultural products consumed as art preferably of a material form? How does the market deal with this if at all?

A: I think so. At the beginning of the Net Art boom, specially Museums, Not for Profit Art Centers like the DIA and WalkerArt and independent organizations of artists started posting or funding projects. This has declined and been transformed into a publishing frenzy where most users are just interested in getting their stories on-line in whatever form. The art market has little to do with all this. — Rosa Irigoyen [add comment]

1990

1 Answer

Q: How is Community Art practice evolving with the advent of the Net and and media arts?

A: — Rosa Irigoyen [add comment]

1991

1 Answer

Q: How is time, and thus its effects on human perception, dealt with the Net revolution? How is this different or not with how photography, cinema and video deal with time?

A: — Rosa Irigoyen [add comment]

1992

1 Answer

Q: Would you agree or not with Baudrillard when he writes: "Thus the prophecy is carried out: we live in a world of simulation, a world where the highest function of the sign is to make reality disappear and to mask this disappearance at the same time. Art does nothing else. The media today does nothing else. That is why they are des­tined for the same fate."?

A: — Rosa Irigoyen [add comment]

1993

1 Answer

Q: Given the proliferation of authors in the Net, how is Roland Barthes's prediction of the death of the author fearing?

A: — Rosa Irigoyen [add comment]

1994

1 Answer

Q: We could read Proust's "A la recherche du temps perdu" in the Net but would it be perceived differently?

A: — Rosa Irigoyen [add comment]

1995

1 Answer

Q: How is Merleau-Ponty's phenomenology practical in the Net?

A: — Rosa Irigoyen [add comment]

1996

1 Answer

Q: What do you think about Marx Wartofsky's statement that "Compared to the technological revolutions that replaced wood with steel and steel with synthetics, the next one will be much more difficult; to get there we will have to politicize technology?'?

A: — Rosa Irigoyen [add comment]

1997

1 Answer

Q: When did you first know about, participated or used Sourceforge.net?

A: I've been an advocate of Open Source and copyleft since I can remember. The Creative Commons licensing has come to fill the gap between the right and left extremes. sourceforge.net — Rosa Irigoyen [add comment]

1998

1 Answer

Q: What think you of anonymity as a historical reality on the rise?

A: — Rosa Irigoyen [add comment]

1999

2 Answers

Q: Do we still need to labor over the value or not of aesthetics and what it could be in the arts?

A: — Rosa Irigoyen [add comment]

Q: When and how many "artists-curators-critics" sites do you know and since when?

A: — Rosa Irigoyen [add comment]

2000

1 Answer

Q: Do you know about Antoni Muntada's "File Room"? It's a censorship database. Would it be a good example of political art?

A: Very effective political art. Just imagine Guy and the Situationists with a tool like this. www.thefilero... — Rosa Irigoyen [add comment]

2001

2 Answers

Q: Anybody know about CAFRA in the Net?

A: — Rosa Irigoyen [add comment]

Q: Do we need other exhibitions, on line or not, like WACK!?

A: — Rosa Irigoyen [add comment]

2002

2 Answers

Q: Do we need more Linda Nochlin's analysis on misplaced history and Louise Bourgeois' resurrection after youth in the Net blogs and wikis?

A: — Rosa Irigoyen [add comment]

Q: Would you collaborate with "The Feminist Art Project" at Rutgers University? http://feministartproject.rutgers.edu/?

A: — Rosa Irigoyen [add comment]

2003

1 Answer

Q: Have you ever created and when, or known about, a cyberfeminist cell?

A: — Rosa Irigoyen [add comment]

2004

1 Answer

Q: Have feminist standpoints changed or grown through their infiltration in cyberspace? How and since when? Who?

A: — Rosa Irigoyen [add comment]

2005

1 Answer

Q: Is the Net a Prosthetic Member?

A: — Rosa Irigoyen [add comment]

2006

1 Answer

Q: Are you a cyborg?

A: — Rosa Irigoyen [2 comments]

2007

3 Answers

Q: What will the future of the Internet be and look like?

A: será la invasión final del alma...la disolución de la voluntad...la manipulación de la memoria...la desacración del lugar más santo por la abominación desoladora del apocalipsis...y la creación final del ser des-almado y desarmado y desnudado espiritualmente para siempre sin esperanza de retorno.La última des-evolución www.youtube.c... — artsgreenhouse [add comment]

Q: Mapping has been used forever. Why do you think this is so and how is it being used in the Net?

A: — Rosa Irigoyen [add comment]

Q: What is Media Piracy?

A: — Rosa Irigoyen [add comment]

2008

4 Answers

Q: ¿Conoces y desde cuando de Systesis corporation en Holanda? ¿Qué piensas acerca de su propuesta de ciencia, arte y territorialidad? http://www.sintesys.cl/?

A: sistesis no existe. try again... — artsgreenhouse [1 comment]

Q: When did you become aware or start to use Web-based community interchange like Facebook, MySpace, Wikis, Blogs and Interactive Content Management Systems like Moodle, WordPress or Joomla?

A: cuando me empezaron a invitar a unirme.... www.electroni... — artsgreenhouse [add comment]

Q: Do you know about Antoni Muntada's "File Room"? It's a censorship database. Would it be a good example of political art?

A: Rosa me hablo de eso y trata de casos de censura en la vida real! Super!! Me gusta eso!! www.thefilero... — Carmen Olmo Terrasa [1 comment]

Q: What think you, and since when, of "Soft Cinema" as developed by Lev Manovich?

A: — Rosa Irigoyen [add comment]

2010

2 Answers

Q: ¿Conoces y desde cuando de Systesis corporation en Holanda? ¿Qué piensas acerca de su propuesta de ciencia, arte y territorialidad? http://www.sintesys.cl/?

A: Sistesys sí existe. www.sistesys.cl "Sintesys es una red de creación y transferencia en donde toda explicación científica es a la vez estética. Sintesys diseña, desarrolla y crea espacios de conocimiento desde la visión relacional de la Cognición." — Rosa Irigoyen [add comment]

Q: ¿Desde cuando existe este portal?

A: Desde hace dos años — Rosa Irigoyen [add comment]

post-10

2 Answers

2012

2 Answers

Q: What will the future of the Internet be and look like?

A: It will be like a constant dream...for a while YOU will decide when to plug into it and surf it as you lay down as you go to work as you read as you make love or have sex until you agree to its total control of your senses so that IT will "surprise" you with new sites, sensations, and you let IT use you as the repository of its pleasure...and you will willingly become the slave disk...the worship of the image of the beast. www.youtube.c... — artsgreenhouse [add comment]

Q: What will the future of the Internet be and look like?

A: it won't "look" it will "feel" like since it will be integrated to the biological neural networks via implants www.youtube.c... — artsgreenhouse [add comment]

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